The Nowhere Man

Kamala Markandaya

Category: Fiction | Social & Cultural History

The Nowhere Man
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    Paperback    £10.99


    11th July 2019 | ISBN:  9781908446992

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    Epub    £5.99


    11th July 2019 | ISBN:  9781916467149


ABOUT THE BOOK

Srinivas, an elderly Brahmin, has been living in a south London suburb for thirty years. After the death of his son, and later his wife, this lonely man is befriended by an Englishwoman in her sixties, whom he takes into his home. The two form a deep and abiding relationship. But the haven they have created for themselves proves to be a fragile one. Racist violence enters their world and Srinivas’s life changes irrevocably – as does his dream of England as a country of tolerance and equality.


First published in 1972, The Nowhere Man depicts a London convulsed by fear and bitterness. Truly shocking, it is as relevant today as when it was first published almost fifty years ago.


ABOUT THE AUTHOR

KAMALA MARKANDAYA (1924 – 2004) was born in Mysore, India. She studied history at Madras University and later worked for a small progressive magazine before moving to London in 1948 in pursuit of a career in journalism. There she began writing her novels; Nectar in a Sieve, her debut published in 1954, was an international bestseller. A contemporary of Ruth Prawer Jhabvala and R.K. Narayan, Kamala Markandaya is now being rediscovered as an essential figure in the post-colonial canon.

Kamala Markandaya

REVIEWS

‘A tough but necessary read.’ 

Patrice Lawrence

'Beautifully written, full of sharp, biting prose. A copy should be posted through every letter box in the country. What a writer.'

Buzz Magazine >

'A book for our times written half a century ago is a fair definition of  a classic. This brilliant if unjustly forgotten London novel combines the moral clarity of To Kill A Mockingbird with Markandaya’s own understanding that words are all it takes to set a society ablaze.’ Maya Jaggi

The Nowhere Man was Kamala Markandaya’s favourite of all her works - no doubt because the story featured something she observed frequently in England, her adopted country: racism. By addressing that issue frontally, she paved the way for novelists like Salman Rushdie and Nadeem Aslam. The novel is a richly rewarding and compelling narrative - I will leave you to discover for yourself its hellish ending.’ Charles R. Larson

‘I then read The Nowhere Man by Kamala Markandaya … it’s a really good novel and quite nuanced in its portrayal; for every racist, there are several other people in the community who are well-meaning, albeit sometimes in a clumsy way … Markandaya’s prose can be a bit strange at times, causing the odd stumble in the first few pages. But, once you’re into the rhythm of it, she’s a very good writer.’  @Rik2019 via The Guardian >

‘With The Nowhere Man , Markandaya wrote a British state of the nation novel whose acuteness and depth of understanding, unsung at the time, resounds eerily today.’  

Emma Garman, Paris Review

‘It's a travesty that this novel has been erased from British and international literary history. It is just as relevant today as when it was published - perhaps even more so. It has absolutely vital things to say about England and Englishness, race and racism, identity, belonging and prejudice. It struck many chords as I read it. Anyone who loves literature and cares about diversity in our cultural life - and is perturbed by what is happening in our country today – should read it immediately.’ Bidisha

‘This is a compelling, delicate portrayal of a brutalising time. A love story between a couple who defy caricature confronted by hatred rooted in stereotype. Powerful, human, engaging and appalling.’  Gary Younge

It’s great that this lost gem has been rediscovered, and at a time when Markandaya’s acute delineation of displacement, alienation, and the scapegoating of immigrants is so pertinent once again. Perhaps for a decade or two, the novel might have seemed ‘dated’ to many, falsely believing that we inhabit a ‘post-racial’ world. It is, in fact, a novel that will endure not only because of the depth of understanding it brings about the immigrant experience, but also because Markandaya has, in Srinivas, created a remarkable, indelible character.’ Monica Ali

The Nowhere Man is worryingly topical in our unsettled times with hate crimes on the rise and anti-foreign sentiment stoked by the Brexit agenda. Unfortunately, Markandaya died in 2004 and isn’t around to witness renewed interest in the book she considered her greatest. For the last 20 years of her life, she couldn’t get published and went out of print. Generations of readers lost out on reading this gem. Now I hope it will take its rightful place in literary history.’ Bernardine Evaristo >


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